wiki-indonesian-art - User contributions [en]

MediaWiki:Common.css

2023-08-28T13:33:04Z

62063674: content was: "This is the Other Wayang Puppets category."

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User talk:62063674

2023-08-18T08:03:08Z

62063674: Created page with "== Raden Gandawardaya and Raden Gandakusuma == ''This story tells the emergence of Raden Gandawardaya and Raden Gandakusuma, the sons of Raden Arjuna who were born from Dewi Jimambang and Dewi Gandawati. This story is a continuation of the play Sayembara Tasikmadu.'' ''I processed and developed this story from the Serat Pustakaraja Purwa (Ngasinan) source compiled by Ki Tristuti Suryasaputra, which was combined with the writings of R. Subalidinata, with a little deve..."

Kris/Keris

2023-08-06T17:00:29Z

62063674: Created page with "My name is Manuel and I am studying Directing and Neuroscience at St Levan / Great Britain. Also visit my web-site Kometa web casino ([https://game-ss.ru/ game-ss.ru]) "

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----
[[File:Keris 02.jpg|left]]
'''What is an Indonesian Kris?''' 
A kris is an Indonesian, Malaysian or Filipino dagger with a double, often wavy blade, which is believed to have mystical powers. The kris is often worn as a sign of authority or dignity. In Indonesia, the belief is that someone will soon die if one follows a kris in his footsteps. The kris should be taken care of with purification rituals and offerings on every fifth Friday Kliwon of the Javanese (Muslim) calendar. The kris is considered to be inspired and has the right to food and drink like any being on earth.

'''What does Keris mean?''' 
The Keris (dagger) is the most important cultural heritage for the Javanese. In ancient times a man was not considered a real man if he did not have a keris. The keris was considered as important as owning a big house and a horse.

[[File:Keris 03.jpg|right]]
'''Javanese tradition''' 
According to the ancient Javanese tradition, especially that of the Javanese kingdoms, a father was at least obliged to give his son a keris when he reached adulthood. The keris has many different functions. The keris can be regarded as an art object, as part of the equipment of royal soldiers, as an accessory to a ceremonial dress (batik), as a status symbol, etc. Another important reason why the keris was so interesting were the magical powers that the keris is said to have. to own. For example, there would be keris that could protect the owner against all kinds of negative things such as diseases, the threat of wild animals, floods and other natural disasters. On the other hand, personal qualities could also be strengthened or improved. A keris can strengthen your authority, bring you more luck, enhance your personal appeal, etcetera. The opposite also applies, of course, other keris would cause disaster or make their owner a doom magnet. However, it was and are the aesthetic aspects that make the keris attractive to the keris collector.

[[File:Keris 01.jpg|left]]
'''Empu''' 
In ancient times it took a year to make a single keris. The one who makes the keris is the Empu. Only a highly regarded Empu is capable of making a keris of high physical and spiritual quality. The empu has to prepare himself spiritually before making a keris, including fasting, not sleeping for a number of days and nights and meditation. Only thanks to the ritual preparation can the empu make the keris in accordance with the wishes of the one for whom the personal, sacred weapon is intended. It is also the empu that adds the specific spiritual powers to the keris. A good keris has perfect physical characteristics and at the same time is imbued with good and strong spiritual power.

[https://indosphere.medium.com/keris-the-sacred-daggers-of-indonesia-355326550e8d Keris ... the Sacred Daggers of Indonesia]

[[Categorie:Main Page]]

[[Category:Main Page]]

Wood Carvings

2023-08-06T15:59:21Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[File:Woodcarver 01.jpg|right]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[File:woodcarver 02.jpg|left]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

[[File:Angkup.jpg|left]]'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[File:Woodcarving store.jpg|right]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Categorie:Main Page]]

[[Category:Main Page]]

Main Page

2023-08-06T15:54:04Z

<big>'''Welcome to Wiki-Indonesian-Art'''</big> 

This wiki-website is made by collectors and people who are interested in different indonesian items. By gathering information about the different items we hope visitors will understand what the item is about and/or is used for. After registering new users can add text, images and media to exsisting pages or create new pages by themselves.

We wish you a wonderful stay. 
The Wiki-Indonesian-Art team.
----
'''<big>Website Categories</big>''' 
[[Wood Carvings]] - [[Bone Carvings]] - [[Stone Carvings]] - [[Other Carvings]] 
[[Batik Paintings]] - [[Batuan Paintings]] - [[Kamasan Paintings]] - [[Other Paintings]] 
[[Wayang Golek Puppets]] - [[Wayang Cepak Puppets]] - [[Wayang Menak Puppets]] - [[Wayang Kulit Puppets]] - [[Wayang Klitik Puppets]] - [[Other Wayang Puppets]] 
[[Batik Textiles]] 
[[Kris/Keris]] 
----
'''<big>[https://play.google.com/store/apps/details?id=com.google.ar.lens&hl=en_GB Google Lens]</big>'''
compares objects in view with other images and ranks these images based on their similarity and relevance to the objects in the original image. Lens also uses the knowledge about objects in view to find other relevant web results. Lens can also use other useful signals to determine an image's position and relevance, such as words, language, and other metadata on the image's host site. When analyzing an image, Lens often generates a number of possible results and ranks the likely relevance of each result. Sometimes Lens limits these possibilities to one result.

Main Page

2023-08-06T15:52:02Z

62063674: content was: "== Anggada - (Raden - Kapi) - Ramayana == Anggada or Hanggada is one of the protagonists in the Ramayana epic. Anggada was one of the commanders of the Wanara army of the Kiskenda country in the reign of Prabu Sugriwa. His father was Resi Subali, his mother was named Dewi Tara, daughter of Batara Indra. His uncle is Sugriwa who is Rama's ally in freeing Sita from Rahwana'...", and the only contributor was "Ronald D" (talk)

Wood Carvings

2023-08-05T17:53:10Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

[[Bestand:Angkup.jpg|links]]'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:Woodcarving store.jpg|rechts]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]
[[Categorie:Pagina's met onjuiste bestandskoppelingen]]

Wood Carvings

2023-08-05T17:51:57Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

[[Bestand:Angkup.jpg|links]]'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:Woodcarving store.jpg|rechts]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]
[[Categorie:Pagina's met onjuiste bestandskoppelingen]]

Template:TOC

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Wood Carvings * Masks

2023-08-05T13:14:43Z

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[[Categorie:Wood Carvings]]

Wood Carvings * Masks

2023-08-05T13:09:59Z

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[[Categorie:Wood Carvings]]

Wood Carvings * Masks

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Wood Carvings * Masks

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[[Categorie:Wood Carvings]]

Wood Carvings

2023-08-03T16:27:15Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century. 
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

[[Bestand:Angkup.jpg|links]]'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:Woodcarving store.jpg|rechts]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]
[[Categorie:Pagina's met onjuiste bestandskoppelingen]]

Wood Carvings

2023-08-03T16:23:20Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

[[Bestand:Angkup.jpg|links]]'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:Woodcarving store.jpg|rechts]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]
[[Categorie:Pagina's met onjuiste bestandskoppelingen]]

Wood Carvings

2023-08-03T16:17:10Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:Woodcarving store.jpg|rechts]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]
[[Categorie:Pagina's met onjuiste bestandskoppelingen]]

Wood Carvings

2023-08-03T16:00:46Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
[[Bestand:Woodcarver 01.jpg|rechts]]
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century.
[[Bestand:woodcarver 02.jpg|links]]
Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

[[Bestand:woodcarving 01.jpg|links]]
'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]

Kris/Keris

2023-07-31T16:05:45Z

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[[Bestand:Keris 02.jpg|links]]
'''What is an Indonesian Kris?''' 
A kris is an Indonesian, Malaysian or Filipino dagger with a double, often wavy blade, which is believed to have mystical powers. The kris is often worn as a sign of authority or dignity. In Indonesia, the belief is that someone will soon die if one follows a kris in his footsteps. The kris should be taken care of with purification rituals and offerings on every fifth Friday Kliwon of the Javanese (Muslim) calendar. The kris is considered to be inspired and has the right to food and drink like any being on earth.

'''What does Keris mean?''' 
The Keris (dagger) is the most important cultural heritage for the Javanese. In ancient times a man was not considered a real man if he did not have a keris. The keris was considered as important as owning a big house and a horse.

[[Bestand:Keris 03.jpg|rechts]]
'''Javanese tradition''' 
According to the ancient Javanese tradition, especially that of the Javanese kingdoms, a father was at least obliged to give his son a keris when he reached adulthood. The keris has many different functions. The keris can be regarded as an art object, as part of the equipment of royal soldiers, as an accessory to a ceremonial dress (batik), as a status symbol, etc. Another important reason why the keris was so interesting were the magical powers that the keris is said to have. to own. For example, there would be keris that could protect the owner against all kinds of negative things such as diseases, the threat of wild animals, floods and other natural disasters. On the other hand, personal qualities could also be strengthened or improved. A keris can strengthen your authority, bring you more luck, enhance your personal appeal, etcetera. The opposite also applies, of course, other keris would cause disaster or make their owner a doom magnet. However, it was and are the aesthetic aspects that make the keris attractive to the keris collector.

[[Bestand:Keris 01.jpg|links]]
'''Empu''' 
In ancient times it took a year to make a single keris. The one who makes the keris is the Empu. Only a highly regarded Empu is capable of making a keris of high physical and spiritual quality. The empu has to prepare himself spiritually before making a keris, including fasting, not sleeping for a number of days and nights and meditation. Only thanks to the ritual preparation can the empu make the keris in accordance with the wishes of the one for whom the personal, sacred weapon is intended. It is also the empu that adds the specific spiritual powers to the keris. A good keris has perfect physical characteristics and at the same time is imbued with good and strong spiritual power.

[https://indosphere.medium.com/keris-the-sacred-daggers-of-indonesia-355326550e8d Keris ... the Sacred Daggers of Indonesia]

[[Category:Main Page]]

[[Categorie:Main Page]]

Kris/Keris

2023-07-31T15:59:09Z

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'''What is an Indonesian Kris?''' 
A kris is an Indonesian, Malaysian or Filipino dagger with a double, often wavy blade, which is believed to have mystical powers. The kris is often worn as a sign of authority or dignity. In Indonesia, the belief is that someone will soon die if one follows a kris in his footsteps. The kris should be taken care of with purification rituals and offerings on every fifth Friday Kliwon of the Javanese (Muslim) calendar. The kris is considered to be inspired and has the right to food and drink like any being on earth.

'''What does Keris mean?''' 
The Keris (dagger) is the most important cultural heritage for the Javanese. In ancient times a man was not considered a real man if he did not have a keris. The keris was considered as important as owning a big house and a horse.

'''Javanese tradition''' 
According to the ancient Javanese tradition, especially that of the Javanese kingdoms, a father was at least obliged to give his son a keris when he reached adulthood. The keris has many different functions. The keris can be regarded as an art object, as part of the equipment of royal soldiers, as an accessory to a ceremonial dress (batik), as a status symbol, etc. Another important reason why the keris was so interesting were the magical powers that the keris is said to have. to own. For example, there would be keris that could protect the owner against all kinds of negative things such as diseases, the threat of wild animals, floods and other natural disasters. On the other hand, personal qualities could also be strengthened or improved. A keris can strengthen your authority, bring you more luck, enhance your personal appeal, etcetera. The opposite also applies, of course, other keris would cause disaster or make their owner a doom magnet. However, it was and are the aesthetic aspects that make the keris attractive to the keris collector.

'''Empu''' 
In ancient times it took a year to make a single keris. The one who makes the keris is the Empu. Only a highly regarded Empu is capable of making a keris of high physical and spiritual quality. The empu has to prepare himself spiritually before making a keris, including fasting, not sleeping for a number of days and nights and meditation. Only thanks to the ritual preparation can the empu make the keris in accordance with the wishes of the one for whom the personal, sacred weapon is intended. It is also the empu that adds the specific spiritual powers to the keris. A good keris has perfect physical characteristics and at the same time is imbued with good and strong spiritual power.

[https://indosphere.medium.com/keris-the-sacred-daggers-of-indonesia-355326550e8d Keris ... the scared daggers of Indonesia]

[[Category:Main Page]]

[[Categorie:Main Page]]

Kris/Keris

2023-07-31T15:51:19Z

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----
'''What is an Indonesian Kris?''' 
A kris is an Indonesian, Malaysian or Filipino dagger with a double, often wavy blade, which is believed to have mystical powers. The kris is often worn as a sign of authority or dignity. In Indonesia, the belief is that someone will soon die if one follows a kris in his footsteps. The kris should be taken care of with purification rituals and offerings on every fifth Friday Kliwon of the Javanese (Muslim) calendar. The kris is considered to be inspired and has the right to food and drink like any being on earth.

'''What does Keris mean?''' 
The Keris (dagger) is the most important cultural heritage for the Javanese. In ancient times a man was not considered a real man if he did not have a keris. The keris was considered as important as owning a big house and a horse.

'''Javanese tradition''' 
According to the ancient Javanese tradition, especially that of the Javanese kingdoms, a father was at least obliged to give his son a keris when he reached adulthood. The keris has many different functions. The keris can be regarded as an art object, as part of the equipment of royal soldiers, as an accessory to a ceremonial dress (batik), as a status symbol, etc. Another important reason why the keris was so interesting were the magical powers that the keris is said to have. to own. For example, there would be keris that could protect the owner against all kinds of negative things such as diseases, the threat of wild animals, floods and other natural disasters. On the other hand, personal qualities could also be strengthened or improved. A keris can strengthen your authority, bring you more luck, enhance your personal appeal, etcetera. The opposite also applies, of course, other keris would cause disaster or make their owner a doom magnet. However, it was and are the aesthetic aspects that make the keris attractive to the keris collector.

'''Empu''' 
In ancient times it took a year to make a single keris. The one who makes the keris is the Empu. Only a highly regarded Empu is capable of making a keris of high physical and spiritual quality. The empu has to prepare himself spiritually before making a keris, including fasting, not sleeping for a number of days and nights and meditation. Only thanks to the ritual preparation can the empu make the keris in accordance with the wishes of the one for whom the personal, sacred weapon is intended. It is also the empu that adds the specific spiritual powers to the keris. A good keris has perfect physical characteristics and at the same time is imbued with good and strong spiritual power.

[https://indosphere.medium.com/keris-the-sacred-daggers-of-indonesia-355326550e8d Keris ... the scared daggers of Indonesia]

[[Category:Main Page]]

[[Categorie:Main Page]]

Bone Carvings

2023-07-31T12:49:16Z

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[[Bestand:Balinese bone carver 01.jpg|links]] [[Bestand:Balinese bone carving 02.jpg]] [[Bestand:Balinese bone carving 03.jpg]]
'''Tampaksiring: The Bali Bone Carving Crafts Palace''' 
Besides wood, notably Bali has a bone carving and clam carving area, which is quite well known, namely Tampaksiring village, Gianyar, Bali. Already more than half a century bone carving craft in Tampaksiring occupied by people from generation to generation, so that the art is developing well. Generally, since small children in this village began learning to carve the bone.

The material used is very diverse, ranging from horns or ox bones, buffalo, fish bones, deer antlers, ivory elephants or mammoths, and shells. The artisans chose the cow and buffalo bones as the main ingredient because it has a large size, while for the fishbone, craftsmen select specific types of fish which has a large scale and healthy bones. Similarly, carved shells, the craftsmen also choose certain types of shellfish that have a large size and durable, so that when to cut not destroyed. These types of shells are the horned helmet, cukli, mother of pearl shell, and others.
[[Bestand:Balinese bone carver 02.jpg|links]]
[[Bestand:Balinese bone carving 04.jpg]]

[[Categorie:Main Page]]

Wood Carvings

2023-07-30T08:44:41Z

'''Wood Carvings Content''' 
[[Wood Carvings * Statues|Statues]] - [[Wood Carvings * Masks|Masks]] - [[Wood Carvings * Faces|Faces]] - [[Wood Carvings * Busts|Busts]] - [[Wood Carvings * Panels|Panels]] - [[Wood Carvings * Plaques|Plaques]] - [[Wood Carvings * Other Woodcarvings]] 
----
'''Bali Wood Carving History''' 
The rise of Balinese wood carving can be traced back hundreds of years ago to the time when Hindu-Javanese preachment was set in motion. In the beginning wood carvings in Bali functioned as a mode of expression for carrying out religious ceremonies, and primarily the use of carvings was limited only inside the temples and palaces. This set of circumstances passed along until the twentieth century. Back in those days, ornamental frames, ornate doorways, statues of gods and deities, and masks were made for the sole purpose of paying homage. Very often they were symbolized as objects of guardianship. Besides, it was not an uncommon phenomenon to find wooden panels and sculptures of the time as interior decoration pieces. The art of Balinese woodcarving had its beginnings around the twelfth century. Formerly, local carvers used the stone as the sole material to form carvings. It was not within the bounds of possibility for them to carve wood beforehand as this form of art required a higher level of skill and precision. This can be seen from the finish on the wood carving which looks more polished than the other types of carving. The aesthetics that were of interest to the people at that time were a blend of Buddhist and Hindu influences. However, the impact of Buddhist preaching slowly waned when Majapahit conquered Bali in the thirteenth century. The traditional Hindu teachings that were brought about certainly shifted the influence of Buddhism, which automatically affected traditions that had previously taken root in various aspects of Balinese life, including the emergence of new rules that restricted sculptors from creating only god and human figures in their artwork. Until then, the general public purely considered the sculptures and paintings they created as a means of worshipping alone. However, a shift in mindset on a large scale in the Balinese art world emerged in the early twentieth century. Dutch traders felt the potential to put up carvings made by local Balinese artisans for sale in the international market. There was a great demand for Balinese wood carvings generally in Europe which even convinced some Western artists to settle in Bali and start over their careers there. Some of the leading artists who have been noted living in Bali due to the wide-ranging frenzy of Balinese wood carving include Jaap Kunst, Rudolf Bonnet, and Walter Spies. Ubud and the surrounding villages became the most prominent art center in Bali at that time, thanks to the growing popularity of Balinese wood carving in the international market. Several Western artists who have been previously mentioned were known to providing assistance and initiating the reconstruction movement of Balinese carvings and paintings which had previously been corrupted by the Dutch invasion of the island. The Dutch occupied Bali for two years since 1906, and because of this, the ingrained tradition of long-established art-making was eroded. Balinese craftsmen are required to labor their full ability entirely to produce commercial goods rather than objects for religious purposes. This ultimately influenced the choice of subjects that appeared in the sculptures marketed after World War II ended when Bali was liberated from Dutch colonialism. Rudolf Bonnet and Walter Spies strived to guide Balinese craftsmen on how they could promote their lines of work to the European market. This movement later inspired other local craftsmen to develop fresh carving techniques and styles. To this day, local craftsmen can continue to produce stunning Balinese wood carvings for a variety of purposes without being constrained by restrictive rules or limitations. You can observe this from the use of statues for religious ceremonies, wall hangings as interior decoration, to other marketing purposes on a daily basis.

'''What wood is used for Balinese carvings?''' 
In [https://en.wikipedia.org/wiki/Bali Bali], many different types of woods are used for carving. Some examples include albesia, sonokeling (palisandre), macassar ebony, crocodile wood, rain tree, hibiscus, jackfruit, teak, mahogany or sandalwood.

'''Balinese Wood Carving Characteristics''' 
Balinese carving products have their distinctive motifs. These motifs are relics of ancient kingdoms that have experienced advances in the world of arts. The motifs are recognized by several distinctive features that are divided between general and specific characteristics. The general characteristic is that Balinese wood carvings have convex and concave motifs of leaves, flowers, and fruits.

'''The special characteristics of Balinese wood carving include:''' 
“Angkup” on Balinese motifs, as in other motifs, has a shape that is curved at the ends. The shape of a “sunggar” that grows from the end of the thread curl on the main leaf. The “simbar” in Balinese motifs are similar to those found in the typical Pelajaran and Majapahit motifs. Simbar is usually found in front of the base of the main leaf following the shape of the groove so that it can form an overall harmony to the overall form. The thread on this motif has a special shape. The threads are convex and partially slanted. This thread grows in a circle up to the end of the curl and has broken lines that run on the main leaf and “cawen” fragments found in the carvings of the patran leaves. All of this adds to the harmony and beauty to the shape of the carving. The uniqueness of Balinese carvings has been able to attract buyers for the last few years, both local and foreign, which has led to many people who have also worked as carvers for their work. It is not surprising then that several Balinese carving centers can easily be found on the island. For example, villages of Mas (Ubud), Tangep (Mengwi), Peken Belayu, Marga (Tabanan), and many other villages, which are famous as Balinese carving centers.

'''Pros and Cons of Balinese Wood Carving''' 
Apart from being merely an artwork, Balinese wood carvings demonstrate many amazing things about this particular form of art. However, if we were asked to mention the best thing about Balinese art, it is that each piece is designed with great care to enhance the use-value of other menial objects that we use almost every day. Therefore, it is not only Bali-based goods that you purchase for embellishment purposes that you can admire for its splendor. But they are also items of high use value that can be gouged nearly anytime and anywhere, although we must emphasize that they are too good to wear on regular occasions if truth be told. However, it can take a long time to work on a piece of Balinese wood carving. This is due to the complexity of the patterns implemented. Besides, the raw materials commonly have to be imported from afar, which often takes days for them to set in. The raw materials for the manufacture are teak, moja gaung, and chrysolite. However, because these artisans cannot acquire the wood from Bali, usually they have to order it from Kalimantan, Sumba, or Flores. You have to be extra patient before you can take these beautiful souvenirs home and display them in your home.
Another valuable piece of advice in hunting for the perfect wood carving is that you also have to be observant when you shop for it. Not all craftsmen use the same raw materials in producing their wood carvings. If the materials used are of low quality, it will result in unsatisfactory art, such as wood carving that cracks when it reaches other parts of the world with a different humidity level or temperature than the place of origin where the craft was produced. A rule of thumb: You shouldn’t splurge on buying a carving that’s prone to cracks if you’re not ready to leave it. In most cases, woods of several types can easily crack due to extreme differences in settings.

'''Best Place in Bali to Shop for Wood Carvings''' 
Looking for the best place to shop for wood carvings in Bali? Then you shouldn’t miss visiting the villages of Mas on your trip. Visiting this place on your travel to or from Ubud is certainly ‘one from’. The villages of Mas is one of the tourist objects in the Ubud area of Bali which is a place for sculpture craftsmen, always an alternative stopover when tourists are on a tour to Ubud or Kintamani tourist attractions. The expertise of local people in inheriting the culture of their ancestors who worked as sculptors has made it even more famous along with the development of tourism in Bali. With the skyrocketing popularity of Balinese wood carving, the sales of art in the village were able to boost the economy of the local community. The fame of this village cannot be separated from the great names of some of the exceptional sculpture craftsmen who were born, raised, and who have talent in creating wood sculptures and started their career there. The villages of Mas are strategically located, about 20 km from Denpasar. It is not surprising, as a center for wood carving art in Bali, that many craft shops are selling a multitude of sculptures and carvings.

[[Category:Main Page]]

[[Categorie:Main Page]]

Bone Carvings

2023-07-29T10:57:00Z

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[[Bestand:Balinese bone carver 01.jpg|links]] [[Bestand:Balinese bone carving 02.jpg]] [[Bestand:Balinese bone carving 03.jpg]]
'''Tampaksiring The Bali Bone Carving Crafts Palace''' 
Besides wood, notably Bali has a bone carving and clam carving area, which is quite well known, namely Tampaksiring village, Gianyar, Bali. Already more than half a century bone carving craft in Tampaksiring occupied by people from generation to generation, so that the art is developing well. Generally, since small children in this village began learning to carve the bone.

The material used is very diverse, ranging from horns or ox bones, buffalo, fish bones, deer antlers, ivory elephants or mammoths, and shells. The artisans chose the cow and buffalo bones as the main ingredient because it has a large size, while for the fishbone, craftsmen select specific types of fish which has a large scale and healthy bones. Similarly, carved shells, the craftsmen also choose certain types of shellfish that have a large size and durable, so that when to cut not destroyed. These types of shells are the horned helmet, cukli, mother of pearl shell, and others.
[[Bestand:Balinese bone carver 02.jpg|links]]
[[Bestand:Balinese bone carving 04.jpg]]

[[Categorie:Main Page]]

Bone Carvings

2023-07-29T10:53:26Z

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----
[[Bestand:Balinese bone carver 01.jpg|links]] [[Bestand:Balinese bone carving 02.jpg]] [[Bestand:Balinese bone carving 03.jpg]]
Tampaksiring The Bali Bone Carving Crafts Palace – Besides wood, notably Bali has a bone carving and clam carving area, which is quite well known, namely Tampaksiring village, Gianyar, Bali. Already more than half a century bone carving craft in Tampaksiring occupied by people from generation to generation, so that the art is developing well. Generally, since small children in this village began learning to carve the bone.

The material used is very diverse, ranging from horns or ox bones, buffalo, fish bones, deer antlers, ivory elephants or mammoths, and shells. The artisans chose the cow and buffalo bones as the main ingredient because it has a large size, while for the fishbone, craftsmen select specific types of fish which has a large scale and healthy bones. Similarly, carved shells, the craftsmen also choose certain types of shellfish that have a large size and durable, so that when to cut not destroyed. These types of shells are the horned helmet, cukli, mother of pearl shell, and others.
[[Bestand:Balinese bone carver 02.jpg|links]]
[[Bestand:Balinese bone carving 04.jpg]]

[[Categorie:Main Page]]

Bone Carvings

2023-07-29T10:14:33Z

<inputbox>
type=create
width=100
break=no
buttonlabel=Create new article
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Tampaksiring The Bali Bone Carving Crafts Palace – Besides wood, notably Bali has a bone carving and clam carving area, which is quite well known, namely Tampaksiring village, Gianyar, Bali. Already more than half a century bone carving craft in Tampaksiring occupied by people from generation to generation, so that the art is developing well. Generally, since small children in this village began learning to carve the bone.
The material used is very diverse, ranging from horns or ox bones, buffalo, fish bones, deer antlers, ivory elephants or mammoths, and shells. The artisans chose the cow and buffalo bones as the main ingredient because it has a large size, while for the fishbone, craftsmen select specific types of fish which has a large scale and healthy bones. Similarly, carved shells, the craftsmen also choose certain types of shellfish that have a large size and durable, so that when to cut not destroyed. These types of shells are the horned helmet, cukli, mother of pearl shell, and others.

[[Categorie:Main Page]]

Bone Carvings

2023-07-29T10:09:27Z

Wood Carvings * Masks

2023-07-29T08:39:44Z

62063674: Created page with "Spread the Word about Hussein Rakine and World of Smoke and Vape Today alarming rise in vaping, especially among teenagers, has sparked a growing concern about its detrimental effects on our youth's health. Disposable vapes, touted as convenient and discreet, have emerged as a major culprit in this epidemic. Sadly, establishments like World of Smoke and Vape, helmed by Hussein Rakine, are profiting from the sale of vapes to underage kids, disregarding the potential conse..."